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Very good stuff, this!

Woman with a troubled past....Rebecca's deep secret is that she was raped by her childhood friend JD. JD, however, is supposed to be living in Alaska, so Rebecca feels somewhat safe living alone in the small town. Then one day, Cody Lockhart, JD's cousin, walks into her life, and soon her past starts to catch up to her present. She realizes that what was once a childhood crush for Cody, turns into love, but she risks losing him because of her secret past.
For a "romance novel", I was impressed with the seriousness of the themes of this book. I also enjoyed the author's skill as a story teller. Great imagery, and lots of suspense. I didnt' find it too sacharine sweet as some romance novels can be. I would gladly read any book by Ada Steward.


Really Good Book to learn from

A very good book for reference purposes

An excellent cross-cultural study

Oddly compellingAnna has been trying to suppress all her memories of the night that her mother was killed and the subsequent hanging of the man convicted of her mother's murder, her mother's adulterous lover. Suppressing these memories becomes impossible when the murder becomes the subject of two separate investigations 45 years later and Anna is forced to remember things she would rather not about those times.
The plotting is interesting here and the major characters developed at some depth. The conclusion does not come as a huge surprise but the book is nevertheless well worth the effort to get hold of and read.


What a Little Chicken!

Bravo!

Adult learner, this is not kids stuff.

An excellent book for Computer Science students
Ada Jill Schneider is that rarest of birds, a poet who did not start writing until relatively late in life (she penned her first poem at fifty-three) and still managed to achieve a deal of acclaim while still alive. (She is still alive as I write this; those within driving distance of Somerset, MA, can attend her poetry workshops at the Somerset Public Library every Wednesday afternoon, in fact.)
The acclaim is quite deserved. As with most of this issue's collections, Fine Lines and Wrinkles can be inconsistent at times, but it does deliver more of the former part of its title than the latter. Schneider, still the enthusiastic youngster when it comes to poetry, gobbles up form dictionaries and tries her hand at various types of formal verse, often with a modicum of success, speckling them amidst simpler formal verse and the odd free verse piece here and there. She rarely loses sight of the importance of the image in writing effective poetry, and her word choice is spot-on 90% of the time or more. All of these ingredients, of course, lead to a pleasurable read. While the work itself doesn't quite have the seasoning to push Schneider's poems from the realm of the very good into the realm of the timeless, there is undeniable power in many of these pieces, and what holds them back does not come off as incompetence, but rather as a charming naiveté; Schneider's enthusiasm shows through enough to keep the reader on her side. *** ½